The sitter for Pale Face remained unidentified, but her fashionable attire indicates that she was part of the wealthy bourgeoise. Her dark clothing is dramatically set off against a subtle background. The faint checkerboard pattern on the upper right side is the only attempt to convey a sense of perspective in an overall flattened space. Klimts familiarity with the work of Belgian artists Fernard Khnopff is clearly evident in this contemplative work.